Bio & Statement

Bio, January 2011

Originally from the east coast, I have called the Pacific Northwest my home since 1993. After obtaining a degree in art and working as an assistant to many artists on both coasts, I now work full time in my Seattle studio. I have been the recipient of several grants, fellowships and residencies, and exhibit regularly. My first public art commission was completed in 2009.

Statement, January 2011

My wall mounted pieces sit in the fuzzy area between craft, design, and fine art. There is a graphic quality to them that brings to mind Japanese wood block prints and some of Frank Stella's large geometric paintings. The surfaces of my works are assembled in the manner of a wood inlay, and often built in multiple layers, giving them a three-dimensional effect. As a sculptor, it is difficult (and not desirable) to rein in the compulsion to create an object that fills space.

In reaction against the pall of the current economy, much of my newer artwork has an abundance of optimistic color. Inspiration for the patterns and color combinations come from diverse sources, including the skeletal structure of old barns, contemporary abstract quilts, 1970s exterior window awnings, and the urban landscape. To escape working in a conventional rectangular format, I use repeating and free-form curving shapes to express arrested movement. As an avid listener of National Public Radio, I am also affected by current issues- occasionally I create a visual abstraction of a topic of discussion which has made an impact on me.

With the intent of reducing my personal footprint on the planet, I use material from roadsides, dumpsters and building sites. All of my current work is made with salvaged wood.